課程介紹
This course focuses on the representations of Taiwanese culture in Taiwanese theatre and film after the lifting of martial law in 1987. It is to introduce the diverse facets of Taiwanese culture in theatre and film, and also to propel students to reflect on how the post-martial law Taiwan re-defined and re-moulded Taiwanese identity in East Asian perspectives. What is Taiwanese culture? How is it performed and displayed? What sort of negotiation and resistance happened between those theatrical and cinematic works and Taiwanese context? Combining analysis of theatre and film with cultural research, this course tends to encourage students to reflect on those questions and develop further understanding of modern Taiwanese culture and society with a broader perspective. Independent and critical thinking is highly emphasised in this course, and the ability of intellectual discussion and presentation will be trained intensively throughout this course.
教科書:
盧非易，《台灣電影：政治、經濟、美學》，台北：遠流，民87。
鍾明德，《台灣小劇場運動史》，台北：揚智，1999。
戴天昭，李明峻譯，《台灣國際政治史》，台北：前衛，2002。
Berry, Chris and Feii Lu ed. Island on the Edge: Taiwan New Cinema and After. Hong Kong: Hong Kong University Press, 2005.
Berry, Michael. Boiling the Sea: Hou Hsiao-hsien’s Memories of Shadows and Light. Taipei: INK, 2014.
Bordwell, David. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press, 2005.
Chang, Yingjin. Chinese National Cinema. New York: Routledge, 2004.
Corcuff, Stephane. Memories of the Future: National Identity Issues and the Search for a New Taiwan. London: M. E. Sharpe, 2002.
Hsieh Hsiao-Mei, “’Opela’: Its Definition and Historical Development.” Chung-Wai Literary Monthly 31.1 (2002): 157-74.
Lee, Daw-Ming. Historical Dictionary of Taiwan Cinema. Lanham: Scarecrow, 2013.
Lin, Ho Yi, “A Critique of Golden Bough Theatre’s The Female Robin Hood—Pai Hsiao Lan.” Performing Arts Review Feb. 1997: 54-55.
Liu, Yu-hsiu. “A Myth(ology) Mythologizing Its Own Closure: Edward Yang’s A Brighter Summer Day.” In Island on the Edge: Taiwan New Cinema and After, edited by Chris Berry and Feii Lu, 67–78. Hong Kong: Hong Kong University Press, 2005.
Edmonds, Richard Louis and Steven M. Goldstein ed. Taiwan in the Twentieth Century: A Reptrospective View. Cambridge: Cambridge University Press, 2001.
Silvio, Teri J. “Tai/ Kuso/ Camp: ‘New Opeila’ and the Structure of Sensibility.” Inter-Asia Cultural Studies 10.3 (2009): 341-60.
Wang, Ling Li. “Linking the Maritime Tragedy to the fate of Taiwan.” Liberty Times, 18 July 2005.Web. 5 March 2012.
Yu, Hui-Fen. “An Encounter with Opeila.” Youth Juvenile Monthly Aug. 2002: 88-91.
Zhang, Yingjin. Chinese National Cinema. New York: Routledge, 2004.
教學進度:
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